“Mo Azmi’s attentive cinematography helps outline not just a series of relationships to be tried, but a vivid, rarely communicated sense of Karachi as a place where people live their lives, make choices, muddle through – and still the lights go out sometimes.”

THE GUARDIAN — Review, Cake · Read

“Mo Azmi’s cinematography paints a beautiful and intelligent canvas. He not only shoots pretty pictures but adds a meaning to them. His eyes make the story more effective.”

THE EXPRESS TRIBUNE — Review, Cake · Read

“Stunningly shot by acclaimed cinematographer Mo Azmi, the film shows how camera can play an active ‘character’ in the film.”

THE EXPRESS TRIBUNE — Review, Laal Kabootar · Read

“Director of photography, Mo Azmi — who is also a co-producer — deserves much of the credit for giving us the beautiful frames. The colour palettes he uses and his frame compositions are worlds apart to what we have come to expect in a web series produced in the subcontinent.”

THE HINDU — Review, Churails · Read

“The female justice league saga features a huge bunch of outspoken, jittery, witty and perfectly turned out Almodovaresque women, and is gorgeously lensed by Mo Azmi in Almodovaresque colours.”

SCROLL.IN — Review, Churails · Read

“Mo Azmi is probably the best cinematographer in Pakistan. […] Just like his previous work, every single shot of “Churails” is dripping with gorgeous colors and impeccable lighting.”

PAKISTANI CINEMA — Review, Churails · Read

“Churails is a singular and urgent achievement, filled to the brim with observations and artistry that forward profoundly urgent questions about justice.”

FILM QUARTERLY — Article, Churails · Read

“India and Pakistan have historically been dichotomous in their approach to each other’s art and artists… the show, however, managed to navigate both strict Pakistani censor board rules and the virtual cultural apartheid being played out across the two countries’ industries.”

AL JAZEERA — Feature, Churails · Read